The Wolverine

The Wolverine, TymStevens

Original art for THE WOLVERINE (2013), by Tym Stevens.

A digital illustration for the film The Wolverine, in tribute to  the ukiyo-e styles of Hokusai and Kunimasa.

I write reviews for films, and create an original piece of art for each one.

 

Review of THE WOLVERINE (2013), by Tym Stevens ©

The Man With One Name finds his Western hero groove, in the East.

There’s a long cinematic history entwining the samurai and the cowboy: Seven Samurai inspired The Magnificent SevenYojimbo begat A Fistful of Dollars (which both begat Kill!); Tarantino trysted both traditions up the yin/yang with Kill Bill 1 (The East) and Kill Bill 2 (The West). All inspired Sukiyaki Western Django and The Good, The Bad, The Weird.

Logan comes to Japan to escape his past, and instead begins to redefine himself. Without mutant healing, he has to fend with his fists and wits; without his team, he has to face that his lonerism is an emptiness; without solace, he has to save his own soul.

The best version of the film is the extended R-rated cut, which is especially notable for expanding the range and depth of Yukio and Mariko. It also deals more with Logan’s grief over an event from X-Men 3 that is dealt with here better than that troubled production.

The film is based on writer Chris Claremont and artist Frank Miller’s ‘Wolverine‘ comic mini-series (1982), Logan’s first solo turn. The acclaimed classic brings Logan to Japan, where he meets the pivotal Mariko, and establishes the ronin aspect of the character. Frank Miller was just coming off of his revolutionary run on ‘Daredevil‘, where he brought similar dimensions to Elektra. This exploration of the masterless samurai would reach ultimate fruition next when Miller left Marvel to create ‘Ronin‘ (1983) for DC, where his stylistic debt to Kazuo Koike and Goseki Kojima’s ‘Lone Wolf and Cub‘ would become more pronounced. [The undervalued classic, which ruthlessly pushed the comics form and even its printing, remains overshadowed by its follow-up, ‘The Dark Knight Returns‘ (1986).]

The extended version of The Wolverine is one of the best entries in the X-Men series.

Artwork and Review, © Tym Stevens.

Review on Four Color Films site.